Differences
This shows you the differences between two versions of the page.
| Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
| alcheringa:1-2:pelt_kid_and_his_grandmother [2021/06/23 03:10] – [Pelt Kid and His Grandmother] admin | alcheringa:1-2:pelt_kid_and_his_grandmother [2021/10/05 14:14] (current) – aaron_heinrich | ||
|---|---|---|---|
| Line 7: | Line 7: | ||
| ====== Overview ====== | ====== Overview ====== | ||
| + | In “Pelt Kid and His Grandmother, | ||
| - | In “Pelt Kid and His Grandmother, | + | ====== |
| - | + | ||
| - | **Commentary** | + | |
| While reading through the narrative poem, I could envision a storyteller reciting the lines. The line breaks symbolized a short, less than one second, pause which could be a storyteller transitioning thoughts. The underlined words in parentheses helped me visualize the emotion a character was expressing. The moments when the narrator laughs suggest that he is amused by Pelt Kid’s lack of knowledge. Overall, the narrative poem humorously taught a lesson of taking things too literally. Pelt Kid frequently took his grandmother’s advice too literally and embarrassed himself. However, Pelt Kid’s constant reliance on his grandmother’s advice suggested that no matter what age we become, we will always require help from the people that are closest to us. | While reading through the narrative poem, I could envision a storyteller reciting the lines. The line breaks symbolized a short, less than one second, pause which could be a storyteller transitioning thoughts. The underlined words in parentheses helped me visualize the emotion a character was expressing. The moments when the narrator laughs suggest that he is amused by Pelt Kid’s lack of knowledge. Overall, the narrative poem humorously taught a lesson of taking things too literally. Pelt Kid frequently took his grandmother’s advice too literally and embarrassed himself. However, Pelt Kid’s constant reliance on his grandmother’s advice suggested that no matter what age we become, we will always require help from the people that are closest to us. | ||
| - | **Context** | + | ====== |
| - | This narrative poem is told by the Zuni storyteller Walter Sanchez. The Zuni cultural and religious traditions are rooted in the mountains, riverways, forests, and deserts. The Zuni people are mostly farmers that grow maize and wheat. They express their cultural traditions through painting, pottery, jewelry, and fetish painting. | + | This narrative poem is told by the Zuni storyteller Walter Sanchez. The [[http:// |
| - | **Bibliography** | + | ====== |
| Gilbert Kallestewa Jr, Information Engineering Technology. “KESHI! WELCOME.” Pueblo of Zuni, www.ashiwi.org/ | Gilbert Kallestewa Jr, Information Engineering Technology. “KESHI! WELCOME.” Pueblo of Zuni, www.ashiwi.org/ | ||
| Line 24: | Line 23: | ||
| Foley, John Miles. “The Singer of Tales in Performance.” Google Books, Google, books.google.com/ | Foley, John Miles. “The Singer of Tales in Performance.” Google Books, Google, books.google.com/ | ||
| - | {{tag>[Zuni story southwest north_america]}} | + | === Metadata === |
| + | {{tag> | ||
| + | |||
| + | === Topics === | ||
| + | |||
| + | {{tag> | ||