Differences
This shows you the differences between two versions of the page.
| Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
| meta-data_guide-progress-report [2021/10/05 17:16] – aaron_heinrich | meta-data_guide-progress-report [2021/10/05 20:27] (current) – aaron_heinrich | ||
|---|---|---|---|
| Line 1: | Line 1: | ||
| - | As of 10-05-2021 | ||
| - | |||
| - | ====== Metadata Tagging Guide ====== | ||
| - | For ease of use, please use the following coding-syntax after the “Bibliography” section of each wiki page. Format the headings of each section according to the style guide and replace “content” with the tags described in the next section. | ||
| - | |||
| - | Please metadata tag each entry in the following order: | ||
| - | ===== Contributors ===== | ||
| - | Contributors include authors, translators, | ||
| - | ===== Date ===== | ||
| - | Date of recording, creation, or publication if known. So far, we are only including the dating provided by Alcheringa. It is possible that further research could locate missing dates but most of the oral poetry (usually composed by corporate tribal authors), at least, will be difficult to trace to a specific date. We are also currently listing dates in the form of a single digit year (example: 1991) but decades or centuries might be a useful future addition. In the case where Alcheringa provides two dates, we have chosen to use the one that the Alcheringa text is based off of, for example, “Song of the Talking God” was transposed for Alcheringa in 1950 but originally recorded in 1929, so we used the 1950 date. | ||
| - | ===== Language ===== | ||
| - | Language would refer to the source language of the piece, including dialect. | ||
| - | ===== Cultural Origin of the Author ===== | ||
| - | This refers to the cultural affiliation of the author. E.G. Navaho. In cases where there is a general or umbrella group and a smaller group, they should be in separate tags and ordered from broadest to narrowest. E.G. Native-American Navaho. If there is more than one cultural tag, they should be in alphabetical order. E.G. Iroquois Navaho Ojibwe. If the cultural tag is the same as a corporate author or a language tag, it should be omitted. | ||
| - | ===== Place of Origin ===== | ||
| - | Place refers to the location where the pieces came from. As it stands, places are nested from largest to smallest as follows: Continent or ubregion of Continent (if relevant), | ||
| - | Genre | ||
| - | ===== Genre ===== | ||
| - | in this case refers to the self-identified label as stated in the issue of Alcheringa Tags should be specific enough to be useful. E.G. narrative-poem is better than just poem. In case that a piece falls under more than one genre, include both tags as separate entries: narrative-poem song. | ||
| - | ===== Modality ===== | ||
| - | Modalities of the text. Because all of the texts in Alcheringa exist as print documents (even those that have been transcribed or transposed from oral recordings), | ||
| - | ===== Topics ===== | ||
| - | Topics (or the keywords that describe those topics) will be under its own heading titled “Topics”. We decided that this separation is very useful in making the metadata tags appear more organized and allowing this list of topics or keywords to keep growing as more useful tagging connections are found between texts. Please list all topics tags in alphabetical order. Think about including tags like “nature”, | ||
| - | |||
| ====== Progress Report ====== | ====== Progress Report ====== | ||
| as of 9-28-21 | as of 9-28-21 | ||