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| omnipoetics:32nd_light_poem [2025/03/26 13:05] – audriana | omnipoetics:32nd_light_poem [2025/04/24 00:38] (current) – holly |
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| ====== 32nd Light Poem by Mac Low ====== | <WRAP center round info 60%> |
| | //The Serpent and the Fire// (pp. 456 - 459) \\ |
| | </WRAP> |
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| | ====== 32nd Light Poem by Jackson Mac Low ====== |
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| ===== History of the Light Poem Series ===== | ===== History of the Light Poem Series ===== |
| //"Very few if any Naropians wd have the patience and obsessiveness to work as I did in the ’50s and ’60s. You gotta have the temperament and madness." -Mac Low// | //"Very few if any Naropians wd have the patience and obsessiveness to work as I did in the ’50s and ’60s. You gotta have the temperament and madness." -Mac Low// |
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| There is a reason why the anthologist declares Mac Low to be "arguably the preeminent experimental poet of his time" (Rothenberg & Taboada 459). One striking example is Low's series of sixty poems centering words for light, addressed, often to a particular person, with a corresponding date and time. In undertaking this project, Low developed a 14-column list of 288 words for light, the majority of which he created himself. When making many of the poems, Low developed a system of drawing the names of light to be used in each work based on the letters in the name of the person he was dedicating the poem to and playing cards (Rothenberg). In an interview with Jerome Rothenberg, Low provided this insight, "Each of the 14 columns of the list of kinds of light accords with one of the 14 different names of denominations of playing cards (ace to king + jokers), and with one of the 14 different letters in Iris and my names. All of the names of kinds of light in the poems begin with letters in our names" (Rothenberg). This elaborate choice of methodology speaks to Low's creativity and commitment to the artistic process. For those interested in the artist's decision-making, the last three pages of Low's book detail the exact creative process he used for each individual poem (Rothenberg). | There is a reason why the anthologist declares Mac Low to be "arguably the preeminent experimental poet of his time" (Rothenberg & Taboada 459). One striking example is Mac Low's series of sixty poems centering words for light, addressed, often to a particular person, with a corresponding date and time. In undertaking this project, Low developed a 14-column list of 288 words for light, the majority of which he created himself. When making many of the poems, Mac Low developed a system of drawing the names of light to be used in each work based on the letters in the name of the person he was dedicating the poem to and playing cards (Rothenberg). In an interview with Jerome Rothenberg, Low provided this insight, "Each of the 14 columns of the list of kinds of light accords with one of the 14 different names of denominations of playing cards (ace to king + jokers), and with one of the 14 different letters in Iris and my names. All of the names of kinds of light in the poems begin with letters in our names" (Rothenberg). This elaborate choice of methodology speaks to Mac Low's creativity and commitment to the artistic process. For those interested in the artist's decision-making, the last three pages of Low's book detail the exact creative process he used for each individual poem (Rothenberg). |
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| ===== 32nd Light Poem ===== | ===== 32nd Light Poem ===== |
