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| omnipoetics:a_paradise_of_poets [2025/01/30 01:43] – adriana | omnipoetics:a_paradise_of_poets [2025/04/24 00:40] (current) – holly | ||
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| + | //The Serpent and the Fire// (pp. 25-28) \\ | ||
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| ====== A Paradise of Poets ====== | ====== A Paradise of Poets ====== | ||
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| **Two things drew us to this poem, the beauty -- the aliveness -- of the language** | **Two things drew us to this poem, the beauty -- the aliveness -- of the language** | ||
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| + | //What is a metaphor? Does it bring us closer or separate us from a concept? In this case, the original language did not have a word for poetry so these images serve a different role than they would in English. They are not a substitution. What are they? To the original writers? To us? Can we touch the same source of meaning?// | ||
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| + | **and the collaborative aspects of its creation** | ||
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| + | ---- | ||
| + | Visit the other pages from week two in-class work: | ||
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| + | - [[Kiche]] | ||
| + | - [[Origins of Human Language]] | ||
| + | - [[durkheim-on_ritual_and_theater|Durkheim]] | ||
| + | - [[Tzara]] | ||
| + | - [[Radin]] | ||
| + | ---- | ||
| - | **and the collaborative aspects | + | |
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| - | < | + | {{tag>Oral_Tradition Mexico Nahuatl Aztec Transcreation Poem Fifteenth_Century Sacred}} |