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| omnipoetics:artaud [2025/03/05 22:40] – yacoub | omnipoetics:artaud [2025/04/24 00:47] (current) – [Reference] admin | ||
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| - | ====== | + | ====== On the Balinese Theater |
| ====== The Author ====== | ====== The Author ====== | ||
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| For Artaud, non-Western theater provided a model for his Theater of Cruelty, which sought to break free from conventional storytelling and create an immersive, sensory experience. He was especially fascinated by how Balinese theater used movement, sound, and space to convey meaning, rather than relying on dialogue. He viewed this as proof that theater could communicate through physical expression and rhythm, making it a direct, almost spiritual experience. | For Artaud, non-Western theater provided a model for his Theater of Cruelty, which sought to break free from conventional storytelling and create an immersive, sensory experience. He was especially fascinated by how Balinese theater used movement, sound, and space to convey meaning, rather than relying on dialogue. He viewed this as proof that theater could communicate through physical expression and rhythm, making it a direct, almost spiritual experience. | ||
| + | ====== Reference ====== | ||
| - | Reference: | ||
| A Legacy of Theatricality: | A Legacy of Theatricality: | ||
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