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| omnipoetics:copenhagen_p.115 [2025/02/12 21:42] – [Depictions] mahrukh | omnipoetics:copenhagen_p.115 [2025/04/24 00:49] (current) – holly | ||
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| + | <WRAP center round info 60%> | ||
| + | //The Serpent and the Fire// (p. 115) \\ | ||
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| ====== Copenhagen ====== | ====== Copenhagen ====== | ||
| Written by: Trefossa | Written by: Trefossa | ||
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| ==== Depictions ==== | ==== Depictions ==== | ||
| - | An exhibition preview article on //Mami Wata Arts for Water Spirits in Africa and Its Diaspora// explains the " | + | An exhibition preview article on //Mami Wata Arts for Water Spirits in Africa and Its Diaspora// explains the " |
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| - | {{She inspires a vast array of emotions, attitudes, and actions among those who worship her, those who fear her, those who study her, and those who create works of art about her. What the Yoruba peoples say about their culture is also applicable to the histories and significances of Mami Wata: She is like a “river that never rests.”}} | + | |
| For more description on the folk beliefs on Watramama - also known as Mami Wata or Mammy Water, click [[https:// | For more description on the folk beliefs on Watramama - also known as Mami Wata or Mammy Water, click [[https:// | ||
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| In either case, since both could be just as likely, Watramama stands as a symbol of resistance, and the poem itself is a call to the goddess to keep her people strong and help them through the fight. | In either case, since both could be just as likely, Watramama stands as a symbol of resistance, and the poem itself is a call to the goddess to keep her people strong and help them through the fight. | ||
| + | == References == | ||
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| + | Drewal, Henry John, et al. //Mami Wata: Arts for Water Spirits in Africa and Its Diasporas// | ||