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| omnipoetics:copenhagen_p.115 [2025/02/12 21:45] – [Depictions] mahrukh | omnipoetics:copenhagen_p.115 [2025/04/24 00:49] (current) – holly | ||
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| + | <WRAP center round info 60%> | ||
| + | //The Serpent and the Fire// (p. 115) \\ | ||
| + | </ | ||
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| ====== Copenhagen ====== | ====== Copenhagen ====== | ||
| Written by: Trefossa | Written by: Trefossa | ||
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| ==== Depictions ==== | ==== Depictions ==== | ||
| - | An exhibition preview article on //Mami Wata Arts for Water Spirits in Africa and Its Diaspora// explains the " | + | An exhibition preview article on //Mami Wata Arts for Water Spirits in Africa and Its Diaspora// explains the " |
| For more description on the folk beliefs on Watramama - also known as Mami Wata or Mammy Water, click [[https:// | For more description on the folk beliefs on Watramama - also known as Mami Wata or Mammy Water, click [[https:// | ||
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| In either case, since both could be just as likely, Watramama stands as a symbol of resistance, and the poem itself is a call to the goddess to keep her people strong and help them through the fight. | In either case, since both could be just as likely, Watramama stands as a symbol of resistance, and the poem itself is a call to the goddess to keep her people strong and help them through the fight. | ||
| + | == References == | ||
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| + | Drewal, Henry John, et al. //Mami Wata: Arts for Water Spirits in Africa and Its Diasporas// | ||