ETHNOPOETICS.ORG : a collaboration to extend the valuing and study of global poetries

Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revisionPrevious revision
Next revision		Previous revision
omnipoetics:diving_into_the_wreck [2025/04/24 00:37] – [The Wreck] adrianaomnipoetics:diving_into_the_wreck [2025/04/24 00:49] (current) – holly
Line 1: Line 1:
-====== Diving Into the Wreck ====== 
 <WRAP center round info 60%> <WRAP center round info 60%>
-//**The Serpent and The Fire**// **(pp. 621-624)**+//The Serpent and The Fire// (pp. 621-624)
 </WRAP> </WRAP>
 +
 +====== Diving Into the Wreck ======
  
 ====== Adrienne Rich ====== ====== Adrienne Rich ======
Line 44: Line 45:
 I go down. (lines 22-28) </poem> </blockquote> I go down. (lines 22-28) </poem> </blockquote>
  
-Rich places emphasis on the fact that the speaker is going down, entering the water, by using the repetitive technique and stating “I go down” twice. Rich makes sure that the reader knows, without confusion, what it is the speaker is doing. Once she’s established the ‘what’, she moves on to make sure the reader can envision what is happening.+Rich places emphasis on the fact that the speaker is going down, entering the water, by using the repetitive technique and stating “I go down” twice. Rich makes sure that the reader knows, without confusion, what it is the speaker is doing. Once she’s established the ‘what,’ she moves on to make sure the reader can envision what is happening.
  
 <blockquote> <poem> First the air is blue and then <blockquote> <poem> First the air is blue and then
Line 50: Line 51:
 black I am blacking out… (lines 34-37) </poem> </blockquote>  black I am blacking out… (lines 34-37) </poem> </blockquote> 
  
-Anyone who knows anything about the ocean knows that the further down you dive, the less there is light from the sun, which in turn, makes the water around you change color until you are at the floor and completely without light. They also know that the further down you div,e the more pressure there is on the diver’s body. Making it hard for the speaker to stay present and focused. Which could very well be the reason why the wreck itself never gets a physical description. +Anyone who knows anything about the ocean knows that the further down you dive, the less there is light from the sun, which in turn, makes the water around you change color until you are at the floor and completely without light. They also know that the further down you dive, the more pressure there is on the diver’s body. Making it hard for the speaker to stay present and focused. Which could very well be the reason why the wreck itself never gets a physical description. 
 Usually, when authors invoke descent or falling, it is so readers will attribute some aspect to known concepts like the fall from grace, when the archangels were sent to hell. So to see it not mean anything more than falling, especially in a poem with as much meaning as this one, is an interesting perspective to take on the topic. Usually, when authors invoke descent or falling, it is so readers will attribute some aspect to known concepts like the fall from grace, when the archangels were sent to hell. So to see it not mean anything more than falling, especially in a poem with as much meaning as this one, is an interesting perspective to take on the topic.
  
Line 67: Line 68:
 ==== Jungian Lens ====  ==== Jungian Lens ==== 
  
-The images that Rich produces in this poem, to me, sounds like an 'active imagination' exercise. It is as if the author is descending into her own unconscious (the ocean) through a ladder, with "the book of myths", a knife, camera, "body-armor of black rubber", "flippers", and an "awkward mask." The depth in which she expresses her appearance points towards the persona that she is carrying inward. She seems prepared, to decode and capture the wreck that she wants to explore. This inward journey of active imagination can only be traversed on one's own, as she points out with "here alone."+The images that Rich produces in this poem sounds like an [[https://en.wikipedia.org/wiki/Active_imagination| active imagination]] exercise. It is as if the author is descending into her own unconscious (the ocean) through a ladder, with "the book of myths", a knife, camera, "body-armor of black rubber", "flippers", and an "awkward mask." The depth in which she expresses her appearance points towards the persona that she is carrying inward. She seems prepared, to decode and capture the wreck that she wants to explore. This inward journey of active imagination can only be traversed on one's own, as she points out with "here alone."
  
 When the air gets black, her mask, or the persona pumps her "blood with power." There seems to be an imaginary boundary between the personal and collective unconscious - as she has to learn to turn her "body without force / in the deep element." Still going down, she soon forgets the purpose of her visit, observing a shift from her idea of self to that of others down there, her breathing changes.  When the air gets black, her mask, or the persona pumps her "blood with power." There seems to be an imaginary boundary between the personal and collective unconscious - as she has to learn to turn her "body without force / in the deep element." Still going down, she soon forgets the purpose of her visit, observing a shift from her idea of self to that of others down there, her breathing changes. 

Trace: • sale_of_souls • jetman_haylli • lady_be_good_-_ella_fitzgerald • poetic_autoethnography • jung • antin • praises_of_ogun • whorf • 32nd_light_poem • silva

Navigation

Current:

Alcheringa:

Print/export
QR Code
QR Code omnipoetics:diving_into_the_wreck (generated for current page)