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| omnipoetics:jetman_haylli [2025/04/24 00:42] – [Poem's Structure & Themes] angela | omnipoetics:jetman_haylli [2025/04/24 00:45] (current) – [Jetman, Haylli (Ode to the Jet Plane) by José María Arguedas] angela | ||
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| + | ====== Jetman, Haylli (Ode to the Jet Plane) by José María Arguedas ====== | ||
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| <WRAP center round info 60%> | <WRAP center round info 60%> | ||
| Serpent and the Fire (p. 422-423) | Serpent and the Fire (p. 422-423) | ||
| </ | </ | ||
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| - | ====== Jetman, Haylli (Ode to the Jet Plane) by José María Arguedas ====== | ||
| In the anthology //Serpent and the Fire: Poetries of the Americas from Origins to Present//, Jerome Rothenberg and Javier Taboada include a translation of José María Arguedas’ poem “Jetman, Haylli (Ode to the Jet Plane)” from Arguedas’ poetry collection titled // | In the anthology //Serpent and the Fire: Poetries of the Americas from Origins to Present//, Jerome Rothenberg and Javier Taboada include a translation of José María Arguedas’ poem “Jetman, Haylli (Ode to the Jet Plane)” from Arguedas’ poetry collection titled // | ||
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| * Listen to the Poem: [[https:// | * Listen to the Poem: [[https:// | ||
| - | * Read //Katatay// Online: [[https:// | + | * Read //Katatay// Online |
| ===== Katatay ===== | ===== Katatay ===== | ||
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| The Spanish version (Oda al Jet) is longer than the Quechua version (Jetman, haylli) because when Arguedas rewrites the poem he often adds paraphrases that explain and add to the meaning of the verse in Quechua, attempting, in his own words, “a true, non-literary translation” that avoids elements that are not present in the text in Quechua. | The Spanish version (Oda al Jet) is longer than the Quechua version (Jetman, haylli) because when Arguedas rewrites the poem he often adds paraphrases that explain and add to the meaning of the verse in Quechua, attempting, in his own words, “a true, non-literary translation” that avoids elements that are not present in the text in Quechua. | ||
| - | He also incorporates culturally foreign terms into Quechua. For example, when the lyrical speaker invokes the Trinity in Quechua (“Dios Yaya, Dios churi, Dios Espíritu Santo”), there is an indigenization of these Christian symbols: //Dios Yaya// literally translates as ‘man/ | + | He also incorporates culturally foreign terms into Quechua. For example, when the lyrical speaker invokes the Trinity in Quechua (“Dios Yaya, Dios churi, Dios Espíritu Santo”), there is an indigenization of these Christian symbols: //Dios Yaya// literally translates as ‘man/ |
