Differences
This shows you the differences between two versions of the page.
| Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
| omnipoetics:tedlock [2025/02/19 21:36] – [Example] sydney | omnipoetics:tedlock [2025/04/24 00:49] (current) – admin | ||
|---|---|---|---|
| Line 1: | Line 1: | ||
| - | ====== | + | ====== |
| - | Tedlock | + | |
| + | |||
| + | ====== Author: Dennis | ||
| + | [[https:// | ||
| Along with working with texts of the Zuni people, Tedlock was known for his focus on Mayan language and culture. His most famous work is the translation of // | Along with working with texts of the Zuni people, Tedlock was known for his focus on Mayan language and culture. His most famous work is the translation of // | ||
| Line 68: | Line 71: | ||
| - __He applies the elements of poetry to bring the performance to life__: [chanting] The--------re goes our white Shu -------- meekuli running a --- wa --------y whoever is out there please help us ∙ CATCH HIM FOR US (379). -> The version of this quote in //Symposium of the Whole// provides the stylistic choice of slanted letters as well. | - __He applies the elements of poetry to bring the performance to life__: [chanting] The--------re goes our white Shu -------- meekuli running a --- wa --------y whoever is out there please help us ∙ CATCH HIM FOR US (379). -> The version of this quote in //Symposium of the Whole// provides the stylistic choice of slanted letters as well. | ||
| + | ====== References ====== | ||
| + | “A Mural with No Wall.” Warscapes, 2 June 2015, www.warscapes.com/ | ||
| + | |||
| + | “Dennis Tedlock.” Wikipedia, [[https:// | ||
| + | |||
| + | “Popol Vuh.” Wikipedia, [[https:// | ||
| + | |||
| + | “Zuni.” Wikipedia, [[https:// | ||
| + | {{tag> | ||