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omnipoetics:zong [2025/04/23 13:13] – [Visuals & Organization] hollyomnipoetics:zong [2025/04/23 23:53] (current) – [Historical Background] holly
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-__Additional Facts from the London Museum Webpage:__ +__Additional Facts from the London Museum Webpage__ 
  
   * "None of the murderers were ever prosecuted." ((London Museum, “Did the Zong Massacre help end slavery?" https://www.londonmuseum.org.uk/collections/london-stories/zong-massacre-trial/, para. 2))    * "None of the murderers were ever prosecuted." ((London Museum, “Did the Zong Massacre help end slavery?" https://www.londonmuseum.org.uk/collections/london-stories/zong-massacre-trial/, para. 2)) 
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 __Resistance__ __Resistance__
  
-One of the strongest themes in Zong! #14 and Zong! #15 is resistance. M. NourbeSe Philip uses poetry to fight back against how enslaved people were treated—as objects, not as human beings. By using phrases like “the subject in property” and “ratio of murder,” she shows how the legal system tried to hide violence using cold, technical words. The way the poem is written—scattered, broken, and full of space—is also a form of resistance. It doesn’t follow the usual rules of writing or storytelling. That is on purpose. Philip refuses to tell the story the way history books or legal papers do. She creates her own language of resistance to show pain, injustice, and protest.+One of the strongest themes in Zong! #14 and Zong! #15 is resistance. M. NourbeSe Philip uses poetry to fight back against how enslaved people were treated—as objects, not as human beings. By using phrases like “the subject in property” and “ratio of murder,” she shows how the legal system tried to hide violence using cold, technical words. The way the poem is written—scattered, broken, and full of space—is also a form of resistance. It doesn’t follow the usual rules of writing or storytelling. That is on purpose. Philip refuses to tell the story the way history books or legal papers do. She creates her own language of resistance to show pain, injustice, and protest. Philip refuses to tell the story in the way that history books or court records might. Instead, she writes outside those systems, creating a poetic language that exposes injustice and protests the silence that followed.
  
 __Memory and Forgetting__ __Memory and Forgetting__
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 https://smallaxe.net/sxsalon/reviews/zong-transformation-language-sacred-space https://smallaxe.net/sxsalon/reviews/zong-transformation-language-sacred-space
  
 +Philip, M. N. (2021, October 11). Outline of Events Related to the Unauthorized Translation of Zong! as told by the author Setaey Adamu Boateng by Renata Morresi and Benway Series Press. Retrieved from https://www.nourbese.com/2021/10/11/
  
 For those who want to know more about Antônio de Castro Alves: For those who want to know more about Antônio de Castro Alves:
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 Castro Alves from Brazil is a poem written by Paulo Neruda, imagining a dialogue between both poets. See [[https://allpoetry.com/Castro-Alves-From-Brazil|here]] Castro Alves from Brazil is a poem written by Paulo Neruda, imagining a dialogue between both poets. See [[https://allpoetry.com/Castro-Alves-From-Brazil|here]]
 +
 +{{tag>[oral poem]}}

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