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| Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
| omnipoetics:zong [2025/04/23 17:25] – [References] yacoub | omnipoetics:zong [2025/04/23 23:53] (current) – [Historical Background] holly | ||
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| - | __Additional Facts from the London Museum | + | __Additional Facts from the London Museum |
| * "None of the murderers were ever prosecuted." | * "None of the murderers were ever prosecuted." | ||
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| __Resistance__ | __Resistance__ | ||
| - | One of the strongest themes in Zong! #14 and Zong! #15 is resistance. M. NourbeSe Philip uses poetry to fight back against how enslaved people were treated—as objects, not as human beings. By using phrases like “the subject in property” and “ratio of murder,” she shows how the legal system tried to hide violence using cold, technical words. The way the poem is written—scattered, | + | One of the strongest themes in Zong! #14 and Zong! #15 is resistance. M. NourbeSe Philip uses poetry to fight back against how enslaved people were treated—as objects, not as human beings. By using phrases like “the subject in property” and “ratio of murder,” she shows how the legal system tried to hide violence using cold, technical words. The way the poem is written—scattered, |
| __Memory and Forgetting__ | __Memory and Forgetting__ | ||