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| omnipoetics:zukofsky [2025/04/02 22:22] – [Objectivist Movement] rachel | omnipoetics:zukofsky [2025/04/24 00:50] (current) – holly |
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| ====== Excerpt from "A" - 12 by Louis Zukofsky====== | |
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| <WRAP center round info 60%> | <WRAP center round info 60%> |
| **//The Serpent and the Fire// (pp. 512-514)** \\ | //The Serpent and the Fire// (pp. 512-514) \\ |
| </WRAP> | </WRAP> |
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| | ====== A - 12 (excerpt) by Louis Zukofsky====== |
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| ===== Biography of Louis Zukofsky ===== | ===== Biography of Louis Zukofsky ===== |
| Zukofsky coined the term //Objectivists// (notably not "objectivism") when he guest edited the February 1931 issue of Poetry Magazine. He later edited [[https://catalog.hathitrust.org/Record/007592833 | An "Objectivists" anthology"]] (1977). Other Objectivists included William Carlos Williams, Charles Reznikoff, George Oppen, Carl Rakosi, Basil Bunting, and Lorine Niedecker. They believed that poems should be seen as an object, not a pass-through to experience. In order to draw attention to the poems, themselves, the Objectivists included, "deliberate syntactic fragmentation and by line breaks that disrupt normal speech rhythm" ([[https://www.poetryfoundation.org/poets/louis-zukofsky | Poetry Foundation]]\\ | Zukofsky coined the term //Objectivists// (notably not "objectivism") when he guest edited the February 1931 issue of Poetry Magazine. He later edited [[https://catalog.hathitrust.org/Record/007592833 | An "Objectivists" anthology"]] (1977). Other Objectivists included William Carlos Williams, Charles Reznikoff, George Oppen, Carl Rakosi, Basil Bunting, and Lorine Niedecker. They believed that poems should be seen as an object, not a pass-through to experience. In order to draw attention to the poems, themselves, the Objectivists included, "deliberate syntactic fragmentation and by line breaks that disrupt normal speech rhythm" ([[https://www.poetryfoundation.org/poets/louis-zukofsky | Poetry Foundation]]\\ |
| .\\ | .\\ |
| Possitioning him relative to the Introspectivists, who were a contemporary Yiddish-language poetry movement, "Zukofsky, who went much further than the Introspectivists in his explorations of the relationships between external objects and subjective experience" (Ponichtera 13). | Positioning him relative to the Introspectivists, who were a contemporary Yiddish-language poetry movement, "Zukofsky, who went much further than the Introspectivists in his explorations of the relationships between external objects and subjective experience" (Ponichtera 13). |
| ===== [A-12] ===== | ===== [A-12] ===== |
| | A is an extremely long poem. It can be understood as a life's work. //"This poem, a life’s work begun in 1928, was ultimately published in its entirety in 1978 shortly after the poet’s death. Although the main body of the poem was completed by 1974, Zukofsky spent his final years composing an index for the poem, an effort that may be seen as integral to the writing of the poem, given the author’s extensive use of allusion and quotation" (Ponichtera 7)// |
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| Sections 1 - 12 on Internet Archive: [[https://archive.org/details/a1120000zuko]]\\ | * [[https://archive.org/details/a1120000zuko | Sections 1 - 12 can be read on Internet Archive]] |
| Sections 13 - 21 on Internet Archive: [[https://archive.org/details/a13210000zuko]]\\ | * [[https://archive.org/details/a13210000zuko | Sections 13 - 21 can be read on Internet Archive:]] |
| I have some screen shots of the index to upload later tonight\\ | * [[https://z-site.net/notes-to-a/a-12/ | Extensive notes for Section 12]] |
| .\\ | .\\ |
| * Long poem (A 126-261) | |
| * This is where Rothenberg's version of the poem beings (A 138) | |
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| \\ | |
| .\\ | |
| Here are notes for the section we're working on. I can't make heads or tails of them. [[https://z-site.net/notes-to-a/a-12/]] \\ | |
| .\\ | |
| .\\ | |
| (PUT THIS INTO QUOTE FORM, IF WE CAN FIND THE CODE)\\ | |
| "This poem, a life’s work begun in 1928, was ultimately published in its entirety in 1978 shortly after the poet’s death. Although the main body of the poem was completed by 1974, Zukofsky spent his final years composing an index for the poem, an effort that may be seen as integral to the writing of the poem, given the author’s extensive use of allusion and quotation" (Ponichtera 7) | |
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| ==== Form ==== | ==== Form ==== |
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| Possibly see chapter 1 in this book: [[https://sshelco-primo.hosted.exlibrisgroup.com/permalink/f/sqqodt/01SSHELCO_IUP_ALMA51191438110003564]] | |
| * Unordered List Item flow charts (Z. 163) | * Unordered List Item flow charts (Z. 163) |
| * substance, being, non-being (A 164) | * substance, being, non-being (A 164) |
| * letter poems (A 231-234) | * letter poems (A 231-234) |
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| === Non-Word Symbols and Un-Vocalized Structures === | ==== Non-Word Symbols and Un-Vocalized Structures ==== |
| Rothenberg's selection in //The Serpent and the Fire// from Zukofsky's //A-12// begins at a natural starting point. Part of the illustrative work including non-word symbols is pulling the reader's attention to something significant—something worth thinking about. | Rothenberg's selection in //The Serpent and the Fire// from Zukofsky's //A-12// begins at a natural starting point. Part of the illustrative work including non-word symbols is pulling the reader's attention to something significant—something worth thinking about. |
| {{:omnipoetics:captura_de_pantalla_2025-04-02_a_la_s_4.38.14 p.m..png?200 |}} | {{:omnipoetics:captura_de_pantalla_2025-04-02_a_la_s_4.38.14 p.m..png?200 |}} |
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| | ==== A Meaning ==== |
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| ==== A Meaning? ==== | |
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| On the surface level Zukofsky writes about the relationship between his father, Paul, and his son, Paul. //A-12// contains many literary and cultural allusions to mythology, religion, philosophy, and twentieth-century history. Zukofsky was well read, and his poetry attempts to incite the imagination of the read through allusions to Shakespears' A Midsummer-Nights Dream (Bottom especially), esoteric readings of the book of Genesis in the Hebrew Bible, words of wisdom from chassidic Rebbes, meditations on the passion of Christ, epic impressions of Greek myth, and don't forget B. Spinoza (A 188-89). | On the surface level Zukofsky writes about the relationship between his father, Paul, and his son, Paul. //A-12// contains many literary and cultural allusions to mythology, religion, philosophy, and twentieth-century history. Zukofsky was well read, and his poetry attempts to incite the imagination of the read through allusions to Shakespears' A Midsummer-Nights Dream (Bottom especially), esoteric readings of the book of Genesis in the Hebrew Bible, words of wisdom from chassidic Rebbes, meditations on the passion of Christ, epic impressions of Greek myth, and don't forget B. Spinoza (A 188-89). |
| Overall, "Not merely a piece of linguistic showmanship, Zukofsky’s method of translation informs his overall poetics, which embraces the potential of bringing diverse and even clashing voices into conversation with one another" (Ponichtera 1). \\ | Overall, "Not merely a piece of linguistic showmanship, Zukofsky’s method of translation informs his overall poetics, which embraces the potential of bringing diverse and even clashing voices into conversation with one another" (Ponichtera 1). \\ |
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| External link: | External links: |
| * [[https://ingeveb.org/articles/louis-zukofsky-building-a-poetics-of-translation | Louis Zukofsky: Building a Poetics of Translation]] | * [[https://ingeveb.org/articles/louis-zukofsky-building-a-poetics-of-translation | Louis Zukofsky: Building a Poetics of Translation]] |
| * [[https://z-site.net/notes-to-poetry/poem-beginning-the/|You can read the full text of Poem beginning “The” online, here.]] | * [[https://z-site.net/notes-to-poetry/poem-beginning-the/|You can read the full text of Poem beginning “The” online, here.]] |
| Ahearn, Barry. "About //A//: Introduction." //A//. Louis Zukofsky, New Directions Publishing Corporation, 2011, pp. vii-xix. | Ahearn, Barry. "About //A//: Introduction." //A//. Louis Zukofsky, New Directions Publishing Corporation, 2011, pp. vii-xix. |
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| {{tag>NewYork Objectivist}} | {{tag>New_York Objectivist The_Baalshem}} |
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